And the winner is...

according to random number generator, random.org....

Entry #2! Kimberly Ripley!

Congrats Kim, and I'll be in touch to get your mailing address!

To everyone who entered, thank you, and check back again for future awesome giveaways!

Celebrating Characters; A USA Network Giveaway!!

Well-developed, believable characters are key to any good story, whether in a novel or a TV show. After all, if viewers can't sympathize with a character and believe in their story, why would they read the book? Or tune in to a TV show?

The USA Network has long prided themselves on interesting and often fun characters. To celebrate the end of the summer season, they're offering up a bag of goodies (valued at $590!!)

(For a list of the USA Network shows wrapping up their seasons over the next month, click here).

USA Summer Essentials Bag 2011 contents:

* Zipbuds with Custom USA Pull

* Powerstick w/2G Memory

* Edith A. Miller Nautical Shirt for Women

* J. Crew Navy Polo Shirt for Men

* Bobbi Brown Beach Body Lotion & Scrub

* Surfrider Bobble Water Bottle

* Jogo Head Hammock in Green

* Jogo Head Hammock in Blue

* Haagen Daz $25 Gift Card

* Customized Ice Cream Scoop

* Plush Navy Beach Towel w/USA Summer Logo

* Entertainment Weekly Summer Guide

* The New Yorker Talk of the Town Special Issue

* Ray Ban Unisex Aviator Sunglasses

So how do you enter you ask? One, you have to have a U.S. mailing address. And second, tell me who is your favorite USA Network character and why in the comments below. (S/he doesn't have to be the lead. Because come on, Auggie on Covert Affairs is really awesome, and not just because he has mad tech skills. He's sweet, loyal, and an all-around good guy).

If you want to win, be sure to include your email address in the comments too!

Contest ends August 31st at Midnight Central Time.

Good luck!

When you read a novel similar to yours...

Tomorrow, I'm meeting my writing/critique partner for a Write-Your-A$$-Off Day! Okay, so it's not a full glorious day of clicking away at the keyboard on our novels, but my writing and critique partner and I are meeting up tomorrow night for the first time in awhile, and we fully intend to write and edit for a few hours. In fact, it was just about a year ago that we did our first write-your-a$$-off day, to much success.

These sorts of days are becoming more and more valuable to me. Rarely do I get long hours in one sitting to just work on my novel. (You learn to do a page here, a page there).

But that's beside the point. Rather, I've been thinking about how I think about my novel when I'm not really working on my novel. The characters follow me wherever I go. I see a girl on the el that embodies Anne-Marie much more than I ever even pictured. An article I stumble across mentions Charlotte Corday. Or I read a book that makes me think about my own... which recently happened. I'd been told that my novel is similar to Jennifer Donnelly's best-seller Revolution. In ways this worried me. What if it was too similar? What if my novel is seen as a copy-cat, even though this story has been bouncing around my head and my computer for years?

I laid all those fears to rest when I read it. There's definitely a lot of similar elements. Both lead characters get sent to Paris. Both girls have some demons in their life. Both struggle to find common ground with their dad. Both suddenly find themselves immersed in a diary and the French Revolution. Both time travel.

Okay, okay, that's a lot a like one another, but content wise? Not so much. Revolution is this wonderful tribute to the power of music and the unraveling of a French Revolution mystery. Through Charlotte's Eyes is about destiny, connections through time, and whether one murderous act can change the future. My novel is, in large part, about Charlotte Corday, but it's just as much about how Charlotte's actions affected the world--and one particular girl--years later.

It's in the differences as well as the similarities between the two novels that I learn a bit about where I want to see my close-to-final draft go from here. There's scenes where I need more French Revolution details. There's interactions between the past and the present that can be better fleshed out, like they are in Revolution.

But does this mean Revolution informs the way I write my own novel? Not necessarily. But it's inspiring to read something that takes a similar elements and goes in an entirely different direction.

And when it comes down to it? It's all about the story you have to tell. That's what I'll be working on tomorrow at Starbucks, making that story hit the perfect pitch by getting all of the details just right. It's my story to tell--but then again, it also belongs to Charlotte Corday. And that, my friends, is something Revolution knows nothing about.

Will all 5 Breathless Books (from Beth Revis)

You all know how much I love books, especially good YA ones. Here's the chance to win five of them! I'm soo excited for all of these, and while I'd like them all to myself, I wanted to spread the word! Hop on over to Beth's blog for more details.

'Where Good Ideas Come From' & the Benefits of Crit Partners

It’s easy to get ‘too close’ to our work as writers. We write, we revise, we revise again. At a certain point, we need to just back away from the manuscript so we can see it with fresh eyes. But even then, chances are we’ll miss something in the solitude of editing.

That’s the reason you always hear critique partners are a wonderful fantabulous thing. For the past year+, I’ve had a great critique partner. We meet nearly every Wednesday at Starbucks. Sometimes we exchange writing, sometimes we don’t. But we always talk about what we’re working on and what’s not working in what we’re writing. Without fail, I walk away with ideas about how to move forward with my WIP.

So, I thought, why not find some more critique partners? Not to mention, I’ve also been on the hunt for beta readers, so I’m not scrambling when the draft of Through Charlotte’s Eyes is done. It seemed incredibly serendipitous then, when author Roni Loren started #betamatch on Twitter so fellow writers could find each other. Then, just days later, literary agent Mary Kole hosted a critique connection on her blog.

Connections made! Critique partners found! And as I’ve been getting feedback on my first few chapters, new realizations about my WIP seem to popping out like crazy. And I can thank all these new ideas on exchanging ideas with other writers, critiquing each other’s work, etc.

There’s a scientific basis in critique partners work, or so I’ve learned from reading ‘Where Good Ideas Come From: The Natural History of Innovation’ by Steven Johnson. The book takes a wide-angle lens perspective on where ideas come from. I haven’t gotten too far into yet, but he talks a lot about the influence of environment, about the way science works... and then there’s this section about where great ideas are often fostered (again keeping in mind, lots of his examples come from science):

Excerpt from pg. 61:

“Dunbar’s research suggests one vaguely reassuring thought: even with all the advanced technology of a leading molecular biology lab, the most productive tool for generating good ideas remains in a circle of humans at a table, talking shop. The lab meeting creates an environment where new combinations can occur, where information can spill over from one project to another. When you work alone in the office, peering into a microscope, your ideas can get trapped in place, stuck in your initial biases. The social flow of the group conversation turns that private solid state into a liquid network.”

Aha! Scientific reasoning behind why group thinking works (mind you, not herd mentality - that’s a different post for a different day). Just exchange his lab for the writing desk, and you’ve got a perfect analogy for why critique partners are a good thing. Get away from the solitiude of writing for a little while and talk to another writer about what you’re working on. Even if its online and not at a table in Starbucks, it helps immensely. Frees your thinking. Opens your mind to new possibilities.

I’ll write a more detailed review of the book when I’m done, but I already do suggest ‘Where Good Ideas Come From’ to any writer at any stage in the process. Johnson has a way of opening your mind to the different ways our minds open to new ideas.

Not to mention, he’s a huge advocate for writing ideas down (to form new connections to seemingly unrelated things). “You get a feeling that there’s an interesting avenue to explore, a problem that might someday lead you to a solution, but then you get distracted by more pressing matters and the hunch disappears,” he writes on page 83. “So part of the secret of hunch cultivation is simple: write everything down.” Again, that’s another post for another day.

For now, go out, write, and share your ideas! Speaking of, it’s time for me to meet with my critique partner.

Til next time, here’s to letting those creative ideas flow.

To NaNoWriMo...or No?

With November 1st just around the corner, published and aspiring authors everywhere are getting ready to crank out at least 50,000 words in the span of one month. That’s National Novel Writing Month for you. I’ve never participated, but for the past couple of years, I’ve been tempted to. But what happens if you’re in the midst of revising/rewriting another WIP?

I’ve toyed with the idea of starting an entirely new novel for the 2010 NaNoWriMo - I have plenty of ideas already spinning around my brain - but I keep reminding myself that’s my reward for finishing the novel I’m working on now. Yes, reward. I enjoy writing after all, otherwise I wouldn’t be doing it at all.

So I’m not doing NaNoWriMo this year. And more likely than not, I’m not participating in the awesomeness that is Miss Snark’s First Victim’s The Baker’s Dozen Agent Auction. I SO want to participate, but I won’t unless Through Charlotte’s Eyes is polished and sparkling. And before it can be that, I need beta readers. But I’m not (quite) there yet either....

November, for me, should just be dubbed NoRevRewMo, or National Revising/Rewriting Month, because that’s what I plan on doing. What about you?

Meeting Charlotte Corday

I've put this post off for awhile as I've worked on other things , but I thought today would be an appropriate time to start talking about my trip to Paris way back in March. Why, you ask? Because July 27th marks Charlotte Corday's birthday, and she was one of the biggest reasons I went to Paris in the first place.

A large part of my WIP, Through Charlotte's Eyes, surprise surprise, is about the famous assassin Charlotte Corday. No one could make much sense of why Corday thought killing journalist and politician Jean-Paul Marat would end the French Revolution - until her distant relative, Anne-Marie Gessner, tumbles into her life, becoming Charlotte and seeing life through the French revolutionary's eyes.

Well, that's the premise of my novel at least. I'd read a lot about Charlotte while at The University of Chicago. I saw pictures of her online and in books, but I'd never walked the streets where she walked, until I went to France. And lo and behold, I found her throughout the country!

First up, the Conciergerie, where 'convicts' were taken shortly before they met the guillotine. The building is now a museum all about the French Revolution. One room, in fact, listed all of the people whose last days were spent in the Conciergerie jail cells.

In the above picture, Charlotte's crime is listed as being a 'noble,' which she was and which was considered a crime, but that's not why she landed below the blade of the guillotine. The only thing I can think of is that this list of guillotine victims was updated in the early 1800s, a time in which the French still considered Charlotte's crime reprehensible because the people still idolized Marat. It wasn't until the latter-half of the 19th century that opinions about Charlotte's murder plot changed, with history books portraying it as a heroic and courageous act. Charlotte's claim in her final days - that she killed one man to save 100,000 - grew in acceptance over the years, and Charlotte, amazingly enough, did turn into a hero of sorts nearly a century later.

In fact, Charlotte Corday was among the most famous people to stay at the Conciergerie during the French Revolution, which is why it came as no surprise that her picture was prominently displayed in the museum. Many history books, in fact, claim she stayed in the same cell as Marie Antoinette, but one walk through the museum shows that was clearly not the case.

Rather, Charlotte would have stayed in a cell much like this one. (Granted, no weird looking mannequin would have been standing in the corner. But, you get the idea). She would have one small pallet to sleep on and a place to relieve herself, and that was it! On the other hand, Marie Antoinette's quarters were on display in the Conciergerie as well, and they were incredibly spacious, especially considering they were attached to a chapel, and they contained an actual bed. Charlotte had no such amenities. Then again, she wasn't a dethroned Queen.

The Conciergerie was just one place I found Charlotte. I'll continue to post about where I found her in the coming weeks. Hint on the next place: it involves chocolate!

In the meantime, happy birthday Charlotte!